Document Type

Thesis

Degree

Master of Arts (MA)

Major/Program

English

First Advisor's Name

Dr. Donna Weir Soley

First Advisor's Committee Title

Committee chair

Second Advisor's Name

Dr. Anne Castro

Second Advisor's Committee Title

Committee Member

Third Advisor's Name

Dr. Michael Grafals

Third Advisor's Committee Title

Committee member

Keywords

Edwidge Danticat, Trauma, Silences, Vodou framework, Haitian culture, Death, Haitian diaspora, Haiti/U.S. Relations, Lyric, Resilience

Date of Defense

6-14-2022

Abstract

Edwidge Danticat’s work has been praised for the visceral, deeply personal ways she writes violence, suffering, death, and loss, leading scholars to theorize that dehumanization is a central motif in the Haitian and Haitian diasporic experience. This causes Haiti to be generally considered, as Jerry Philogene describes, “a socially dead space”. Danticat ventures into this “socially dead space” in her recent memoirs, reflecting on the traumatic experiences of her two paternal figures, her father and Uncle Joseph, her complex feelings around her mother’s death, and the value of Haitian art in the aftermath of the 2010 earthquake. Danticat creates a language, I have coined as lyrical rapturing, that interrupts her narrative with prose that expresses her own residual pain from her personal traumas, triggering new processes of healing. This thesis will show how my theory of lyrical rapturing occurs in Danticat’s Brother, I’m Dying, The Art of Death, and Create Dangerously: the immigrant artist at work. By reflecting past works such as Breathe, Eyes, Memory, Danticat creatively theorizes the internalized process that helps her to continue to create despite the weight of such grief. Her lyrical rapturous language creates a blueprint of Haitians’ resilience and the cultural spirit that undergirds it, in the face of unfathomable devastation.

Identifier

FIDC010825

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