Document Type
Thesis
Degree
Master of Arts (MA)
Major/Program
English
First Advisor's Name
Bruce Harvey
First Advisor's Committee Title
Committe Chair
Second Advisor's Name
Jason Pearl
Second Advisor's Committee Title
Committee Member
Third Advisor's Name
Nathaniel Cadle
Third Advisor's Committee Title
Committee Member
Keywords
America, Antebellum, Literature, Poe, Melville, Space, Nautical, Gothic, Antarctica, Atlantic, Geography, Phenomenology
Date of Defense
11-12-2015
Abstract
My project examines the phenomenon of the hazy spaces on the periphery of the antebellum imagination that, while existing geographically at the very fringes of daily American life, are nonetheless active in the conceptualization, production, and representation of an idiosyncratic American sense of space: an anxiety of spatial fragmentation, formlessness, and modulation. In particular I am interested in Poe's “The Narrative of Arthur Gordon Pym” and Melville's “Benito Cereno,” both of which deal with American transoceanic travel to the proximity of Antarctica and its surrounding seas. These gothicized nautical fictions demonstrate an important dialectic playing out in these extreme spaces: the oscillating experience of external and closed space. What becomes detectable in antebellum literature in which spaces of enclosure interrupt expansiveness are far-reaching, deeply-rooted anxieties of an ever-transforming American space at risk of fragmenting and necessitating reorientation via the sort of imaginary travel texts being examined.
Identifier
FIDC000178
Recommended Citation
Hill, Francis H., ""The Whole Foundations of the Solid Globe were Suddenly Rent Asunder": Space Place and Homelessness in Poe's "The Narrative of Arthur Gordon Pym" and Melville's "Benito Cereno"" (2015). FIU Electronic Theses and Dissertations. 2280.
https://digitalcommons.fiu.edu/etd/2280
Rights Statement
In Copyright. URI: http://rightsstatements.org/vocab/InC/1.0/
This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).