Louis Proyect documents the role of corporate decision-making and profit in the undermining of ostensibly "independent" cinema. He focues on Miramax and its history of tampering with the work of writers and directors.
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"How Commerce Trumped Art at Miramax,"
Class, Race and Corporate Power: Vol. 1:
1, Article 2.
Available at: https://digitalcommons.fiu.edu/classracecorporatepower/vol1/iss1/2