Date of this Version
7-7-2022
Document Type
Article
Rights
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Abstract
This article introduces the different approaches between the western metaphysical thought and the scholars Jacques Lacan, Jacqueline Rose, and Emmanuel Levinas – particularly the contributions to the notion of the ‘becoming’. Lacan expands on Freud’s discovery of the primacy of the unconscious (the id) and concentrates on how the unconscious is structured as a language. He argues that human subjectivity is formed by three realms: The mirror stage which initiates the child into the imaginary, the language which initiates the child into the symbolic and the realm of the real which is always veiled and out of reach.
Creative Commons License
This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License.
Recommended Citation
Pease, Silvia Márquez, "The Subject and Object of Art: Lacan, Rose, and Levinas." (2022). Department of Art and Art History. 4.
https://digitalcommons.fiu.edu/art-art-history/4
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