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Event Description

This flyer promotes a lecture by Charisse Baldoria, D.M.A., who discussed the significance of the piano in Cuban musical life, from its colonial origins to its role in the pop songs and charanga and son bands of the 20th century, to being a vehicle to express musical nationalism in works by Cervantes, Saumell, Roldan, Garcia Caturla, and Lecuona.

Identifier

FI15061109

Document Type

Flyer

Event Date

5-14-2010

Publisher

Cuban Research Institute

City

Miami,FL

Disciplines

Latin American Studies

The Piano in Expressions of Cuban Identity: Stylizing Folk and Popular Music

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