Louis Proyect documents the role of corporate decision-making and profit in the undermining of ostensibly "independent" cinema. He focues on Miramax and its history of tampering with the work of writers and directors.
"How Commerce Trumped Art at Miramax,"
Class, Race and Corporate Power:
1, Article 2.
Available at: http://digitalcommons.fiu.edu/classracecorporatepower/vol1/iss1/2